Лампы и светильники

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Сбор ссылок по теме.

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Предметы из The David Collection.

Масляные ручные лампы
http://www.davidmus.dk/en/collections/i ... art/362001

Подсвечники
http://www.davidmus.dk/en/collections/i ... art/111987
http://www.davidmus.dk/en/collections/i ... rt/27-1971
http://www.davidmus.dk/en/collections/i ... art/2-1963
http://www.davidmus.dk/en/collections/i ... rt/18_2009
http://www.davidmus.dk/en/collections/i ... rt/38-1982
http://www.davidmus.dk/en/collections/i ... rt/45-1999

Подвесные лампы
http://www.davidmus.dk/en/collections/i ... rt/17-1970
http://www.davidmus.dk/en/collections/i ... rt/37-1982

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Из собрания Метрополитен музея
http://www.metmuseum.org/collections/se ... pp=60&pg=1
http://www.metmuseum.org/collections/se ... =Asia&pg=1
http://www.metmuseum.org/collections/se ... pp=60&pg=1

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Ισλαμικό κηροπήγιο από τη Μεγίστη Λαύρα του Αγίου Όρους/ Islamic candlestick from Megisti Lavra, Mount Athos
https://www.academia.edu/2118133/%CE%99 ... ount_Athos

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КЛАД С УВЕКСКОГО ГОРОДИЩА (СЛУЧАЙНАЯ НАХОДКА 1994 ГОДА )
Д.А. Кубанкин , О.В. Сергеева
https://www.academia.edu/7741997/%D0%9A ... 1%89%D0%B0
В составе клада 14 века найдены два светильника/подсвечника.

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Lighting in the Islamic world
Maria Sardi
https://www.academia.edu/1093845/LIGHTI ... AMIC_WORLD

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http://550kazakhan.kz/?page_id=3367&lang=ru
Навесной светильник.
Туркестан, ХІV- ХV вв. Посуда наподобие казана, на внешней стороне изображены растительные узоры, два острых изогнутых края закончены металлическими крючками. Чтобы навесить светильник на крючки закреплена отрывочная цепь.

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"The road from China to Iran: a jade candlestick in the Art Institute of Chicago", Iran: Journal of the British Institute of Persian Studies, 47 (2009), pp. 123-31.
https://www.academia.edu/17292349/_The_ ... pp._123-31

"From China to Denmark: a 'mosque lamp' in context", Journal of the David Collection, vol. 4 (2014), pp. 202-23.
https://www.academia.edu/17312458/_From ... pp._202-23

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Recreating Early Islamic Glass Lamp Lighting
https://www.academia.edu/29530791/Recre ... p_Lighting

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Б.А. Байтанаев, А.А. Ергешбаев, А.Х. Шаяхметов
СРЕДНЕВЕКОВЫЕ СВЕТИЛЬНИКИ-ЧИРАГИ САЙРАМА
http://rmebrk.kz/journals/3438/53088.pdf

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Ш.Р. Пидаев
ОСВЕТИТЕЛЬНЫЕ ПРИБОРЫ СРЕДНЕВЕКОВОГО ТЕРМЕЗА
История материальной культуры Узбекистана (ИМКУ). Выпуск 34
https://www.twirpx.com/file/2270842/

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Фёдорова Л. И., Ткаченко В. А., Фёдоров В. В.
Роль эксперимента в реконструкции калужского масляного светильника-плошки
Археология Подмосковья: Материалы научного семинара. Выпуск 10. М.: ИА РАН, 2014. 576 с.
482
https://www.archaeolog.ru/ru/el-bib/el- ... sk/arch-10

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https://www.sothebys.com/en/buy/auction ... egypt-late
A MAMLUK PIERCED BRASS HANGING LAMP, EGYPT, LATE 13TH AND 15TH CENTURY

of hexagonal form with two hinged doors, each of the six sides with pierced foliate roundels, featuring a round medallion containing a lotus blossom, pseudo-calligraphic panels above and below, the replacement domed terminal incised with roundels containing eagles, surmounted by a hinged suspension hook, the later underside with three round openings and engraved designs, old Sotheby's label and '163' to interior
37cm. height

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Mosque Lamps and Enamelled Glass: Getting the Dates Right
https://www.academia.edu/42774877

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https://www.artfoxlive.com/product/3943087.html
AN OTTOMAN GLASS HANGING LAMP, TURKEY, CIRCA 17TH CENTURY
Of deep slightly flaring form, the bluish glass decorated in a brownish gold lustre with a series of cross-hatched lozenge motifs interspersed by large foliate motifs, with gilt Arabic inscriptions.'He was true to his promise, He helped His servant, and He gave might to His soldiers and defeated the Confederates alone'. glass: 18 cm. diam., 12 cm. height.

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http://www.sothebys.com/en/auctions/eca ... t.215.html
An Ottoman glass hanging lamp, Levant or Turkey, 16th/17th century or later
glass 27.6cm. height
of clear-green glass, the waisted globular form with wide flaring neck, three trailed lug handles to body, traces of gilding, with attached chains for hanging

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https://www.sothebys.com/en/auctions/ec ... t.179.html
A Green Glass Mosque Lamp with Gilt Decoration for the Ottoman Market, Venice, Circa 17th Century
22.5cm.
of pale green glass, with globular body, stepped foot with high kick base, flaring straight walled neck, three small suspension loops, gilded throughout with split palmette, cintamani and fleur-de-lis motifs
Catalogue Note
In 1569 Macantonio Barbaro the Venetian Ambassador to the Sublime Porte wrote a report to the authorities in Venice about the requests of His Excellency Mehmet Bassa for '900 lamps for a mosque of his which he is having built; namely, 300 of the large shape which is annexed herewith; 300 of the long shape; and the pattern which I send enclosed herewith will serve merely to show the shape... His Excellency has also asked me, with the same insistence, for a large lamp, or lantern, such as are used in rooms... 'R. J. Charleston, 'The import of Western glass into Turkey: sixteenth-eighteenth centuries', The Connoisseur, May 1966.
Attached to the report were two drawings with annotations mentioning the request for 'part plain and part with latticinio decoration ('redeselli')' (ibid). The first of the drawings illustrates a mosque lamp of typical form, with depressed globular body and flaring neck. This relates to a group of lamps in the Topkapi Saray that are of Venetian origin and correspond in shape to the drawing, they are also decorated with the latticinio technique of inlaying opaque-white into the body of glass. Some of the lamps are decorated with lotus-flowers and diapers recalling Ottoman textile designs. It is evident that this decoration has been applied cold with the lamp being imported plain from Venice and decorated in Turkey. It is likely that the current lot falls into this category.

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https://www.christies.com/lot/lot-2034552
AN OTTOMAN CLEAR GLASS MOSQUE LAMP
PROBABLY TURKEY, 16TH/17TH CENTURY
AN OTTOMAN CLEAR GLASS MOSQUE LAMP
Probably Turkey, 16th/17th Century
Of typical form, the bulbous body with long sloping shoulder rising to a flaring trumpet mouth, on spreading short foot, the body with three applied loop handles, together with associated silver chains formed of flat strips alternating with spheres linked by wire
8½in. (21.5cm.) high

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https://www.sothebys.com/en/auctions/ec ... t.321.html
A rare Ottoman tombak hanging lamp, Turkey, 16th century
metal 21cm. height of lamp
of waisted globular form with everted rim, the body gilded and ringed at the neck and rim, the shoulder with three suspension loops secured with faceted rivets, the three suspension chains linked to a broad openwork roundel terminating in a S-shaped hook, the openwork base with radiating swirls
Catalogue Note
An early sixteenth century gilt copper mosque lamp is illustrated in Petsopoulos 1982 and London 1976, no.33. This engraved and pierced example follows the Mamluk glass form with narrow waist and broad flared neck. The current lot is however of a more sturdy design with the distinctive short neck and globular body that echoes an earlier Timurid prototype, visible in the metalwork tankards of the 15th century and earlier jade vessels.
Unlike the glass lamps this metal lamp would have given off little light apart from the shadows cast through its openwork base. As with the Iznik lamps of the sixteenth-century their function was symbolic rather than as a source of light. It has been suggested that they were also used as an acoustic device; hung near the place where prayers were read, helping dampen the echo by allowing the voice of the reader to bounce off them (Atasoy and Raby 1989, p.41).

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https://www.sothebys.com/en/auctions/ec ... t.393.html
A near-pair of Ottoman tombak lamps, Turkey, 17th century
metal 19.6cm.; 19.3cm height
each of baluster form with bulbous body, waisted neck and flaring rim, supported on a short splayed base, the body applied with three suspension hooks, the neck incised with a concave band of rosette petals, the rim with three openwork foliate cartouches enclosing paired saz leaves flanking a central rosette collar-set with a cabochon ruby
Catalogue Note
A dated silver hanging mosque lamp of similar form and decorated with an identical openwork cartouche of saz flanking a rosette is in the Türk ve Islam Eserleri Müzesi (Petsopoulos 1982, p.48, no.52). Originally from the shrine of Eyüp the lamp bears the assay mark of Osman II (r.1618-1622) and on the body are a further three incised inscriptions which give the name and titles of Osman II, stating that the lamp was the waaf of this Sultan to the Eyüp shrine, and gives the date of AH 1027/AD 1617-18.
These lamps are more ornate in their decoration and have been further embellished with collared beads in a gesture to what has been termed the 'Bejewelled Aesthetic' in Ottoman art (Petsopoulos 1982, p.21). This was a taste that was at its most prevalent in the sixteenth and seventeenth centuries and is exuberantly expressed in the work on a gold water flask in the Topkapi Saray Museum (ibid., p.45, no.28). Stones were set into metal or jade and fastened to the surface of objects in all media in such a way that paid no heed to the base material or its form or texture. Often linked together and shaped like flowers, these set stones and their mounts would often completely overwhelm the object upon which they had been placed in a display of spectacular consumption.